How to Identify a Gold-Glazed Japanese Pottery Vase

Most of us shop for household accessories using just two criteria: How does it fit into my decor, and is the price right? And that makes perfect sense. That leads us to antiques, which often have either an intriguing backstory or an inscrutable past; they are conversation pieces that beckon endless speculation and research. Consider Satsuma porcelain—especially Satsuma vases—which checks all the above boxes for buying accessories, as well as being a category of interest even for the casual antiques collector. Satsuma refers to a style of Japanese pottery originating in the Satsuma district of the southernmost island of Kyushu, although its production later spread to other areas, especially Kyoto. The location on Kyushu is not incidental, as the island lies across the Korea Strait from Korea. Japan, somewhat surprisingly, does not have a pottery history dating to ancient times, having traditionally importedsuch goods from China. However, during 17th-century raids, potters from Korea were kidnapped and brought to work in Japan, especially nearby Kyushu.

Antique Satsuma

This is a very lovely hand painted Japanese Satsuma vase which dates from the late 19th century. The vase is profusely and expertly painted with different blooms and blossoms including chrysanthemums, in an array of wonderful rich colours. The vase is signed to the base and is in excellent condition. Buy and sell electronics, cars, fashion apparel, collectibles, sporting goods, digital cameras, baby items, coupons, and everything else on eBay, the world’s online marketplace.

Sep 14, – A Satsuma Vase with a Medieval Village Scene. SAMURAI VASE ATTR TO KINKOZAN. The date of manufacture has been declared as ​.

Even if you don’t speak, read or write Japanese, the markings on pieces of Satsuma pottery can be quite easy to decipher, providing that you follow some simple rules. To start, the markings are read in the opposite direction to English. Start at the top right hand corner and read down. If there are 2 lines of Kanji characters, move to the left and start at the top of the next line, reading downwards again.

Many of the Japanese makers marks on Satsuma porcelain or pottery are simply the name of the person who made the item, or a generic marking such as “Dai Nippon Satsuma”. You may also find that there are no main markings, only Japanese numbers. These types of markings are more common on larger vases that form part of a set. The piece may be marked as “Left 3”, meaning that it should be positioned as the third item on the left-hand side. Obviously, a vase like this would be part of quite a large set.

The centre item may have the main marking of the maker on if it is of sufficient providence.

Satsuma are the Perfect Addition to Home Decor

Careers News Philanthropy. Dating satsuma ware Ware dating To the various moon phase calculator shows exact times of three satsuma wares as the late 16th. Dating with a rectangle box. Meiji period satsuma pottery pottery painted in small factories and Homepage to read about amikor csaldja decoration in town, especially satsuma vases. Also be improved? Meiji period, learn to western name tomo.

Stunning antique Japanese vase, this one dates to the s. Crafted in the beautiful moriage technique. It is a special raised decoration, with the clay being​.

Satsuma pottery is the Western name for very collectable type of Japanese earthenware exported throughout the world since the Japanese Meiji period Japanese sources suggest the Satsuma pottery tradition dates from the 17thC, but firm identification of any pieces earlier than the 19thC is difficult. Kilns were established in the Satsuma area in southern Kyushu by Korean potters in the late 16th century. The first and very earliest wares are the rarest of the rare and were stonewares covered with a thick dark glaze.

During the mid 19th century the pottery that today, is recognized as satsuma pottery ware was created. It is a slightly yellowish earthenware. Decoration, was sometimes carried out by a second workshop and varies from mass-produced broad designs to exquisite miniature scenes finely enamelled and gilded. Satsuma wares were first developed in the Satsuma Han and produced, mostly for export to the West, in cities such as Kyoto, Tokyo, Nagoya and Yokohama.

Satsuma Gosu Blue was produced in a very limited quantity in Kyoto in the midth century, and is now the most sought after of the Satsuma wares. Much of this features low quality decoration and was destined for the European and American export markets.

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Heavy crude reproductions from China carry a potentially confusing Satsuma mark. Although there are no vintage comparable marks, the appearance of “Satsuma” in the new marks implies the new pieces are old. Satsuma, like Staffordshire, is a collective name given to a fine quality lightweight pottery developed in Japan. Original ware is generally characterized by a fine network of crackles in the glaze and extensive use of gold trim.

Although made since about , the majority of pieces traded in the general antiques market today date from about the middle of the 19th century and were made for export to Western markets.

Porcelain Ceramics · China Porcelain · Japanese Satsuma Vase, Date of manufacture: | | More information. More information.

By adapting their gilded polychromatic enamel overglaze designs to appeal to the tastes of western consumers, manufacturers of the latter made Satsuma ware one of the most recognized and profitable export products of the Meiji period. The precise origins and early innovations of Satsuma ware are somewhat obscure; [1] however most scholars date its appearance to the late sixteenth [2] or early seventeenth century.

Satsuma ware dating up to the first years of the Genroku era — is often referred to as Early Satsuma or ko-satsuma. Given that they were “largely destined for use in gloomy farmhouse kitchens”, potters often relied on tactile techniques such as raised relief, stamp impressions and clay carving to give pieces interest.

The intense popularity of Satsuma ware outside Japan in the late nineteenth century resulted in an increase in production coupled with a decrease in quality. Collectors sought older, more refined pieces of what they erroneously referred to as early Satsuma. The first major presentation of Japanese arts and culture to the West was at Paris’ Exposition Universelle in , and Satsuma ware figured prominently among the items displayed.

Following the popularity of Satsuma ware at the exhibition [21] and its mention in Audsley and Bowes ‘ Keramic Art of Japan in , the two major workshops producing these pieces, those headed by Boku Seikan and Chin Jukan, were joined by a number of others across Japan. Eager to tap into the burgeoning foreign market, producers adapted the nishikide Satsuma model.

The resulting export style demonstrated an aesthetic thought to reflect foreign tastes. They were typically decorated with “‘quaint’ There was new interest in producing decorative pieces okimono , such as figurines of beautiful women bijin , animals, children and religious subjects. The mids saw the beginning of an export slump for many Japanese goods, including Satsuma ware, linked in part to a depreciation of quality and novelty through mass production.

By the s, contemporary Satsuma ware had become generally denigrated by critics and collectors.

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Unusual Japanese Satsuma Triple Gourd Vase By Meizan Japanese China, Japanese Art, Date Night. Saved from 56, Antiques for​.

We use cookies to remember choices you make on functionality and personal features to enhance your experience to our site. By continuing to use our site you consent to the use of cookies. Please refer to our privacy and cookie policies for more information. Satsuma ware was first manufactured in when Lord Shimazu invited Kinkai, one of hundreds of Korean potters who had emigrated to Japan, to open a kiln in his Satsuma domain located in the far south of Kyushu.

Throughout the seventeenth and eighteenth centuries, and most likely well into the nineteenth century, the ceramics made in Satsuma were as different as it is possible to imagine from the minutely decorated pieces illustrated here, but local tradition relates that at some point a group of potters was sent to Kyoto to study the art of enameling. The earliest known enameled Satsuma wares, probably dating from as late as the s, bear a passing resemblance to much earlier pieces produced in Kyoto, suggesting that there may indeed be some connection between the two.

The Japanese displays at the Paris Exposition of included examples of what would later be called Satsuma ware.

Collecting Satsuma Pottery

Create account. LOG IN. Log in Log in Facebook Google Forgotten password? Years going back 1. Satsuma Handled Vase. Description: Japanese, late 19th-early 20th century.

JAPANESE SATSUMA VASE BY KINKOZAN, MEIJI PERIOD () Of Description A pair of large Japanese Kyoto satsuma vases dating to the early.

Antique Meiji period. I have for sale an authentic, antique, handmade, hand-painted Koshida Satsuma covered vase. The vase dates back to the Meiji period and was made between and It has been dated by examining the maker’s mark and the chosen painted design. Both are known attributes conducive to the time period. The bottom is clearly marked by hand with the Shimazu Clan family crest, which is a circle with a cross in it and the Koshida kanji characters.

Koshida produced Satsuma pieces from until approximately During the time period Koshida was known for making high quality pieces painted by some of the finest artists in Japan. Needless to say, their pieces today are sought after by collectors.

Bares für Rares: FRECHHEIT! Expertise: 800€, Verkauf: 120€ – Satsuma-Vase um 1920